AJA
by AJA
frontpack
frontpack
Reminds me of Pharmakon, except with a beat so a little easier to find opportunities to play it :-D.
Favorite track: Charge.
Mike Darkfloor
Mike Darkfloor
A tour de force from a heavy noise maverick,
negative.feedback.soup
Andrew Fletcher
camyroon
James King
Phillip O'Glass
metawyrd
elleelleelle
Industries
burdenlistening
Boxface
Agnia Roofer
theestateagent
twhiston
Jeramboquai
Grant Hobson
Dubmonk
Barry Neilson
gibsonhaynes
Mary C
Ami-Bique
B/I/S/H
Francesco Birsa Alessandri
Kez
edgeblend
AT
DIESSA
lanchield
Quercus
Andrew Zdzylowski
Ana Qu
Paul Young
chizla
Brent Sallay
lordhancock
wc_helmets
Acousmetre
Richard Lowe
Mack Jamieson
Les Hall
Al Mcfarlane
Burton Thomas
m-bryce
Liam Noonz
Arlo Brooks
evgenia
Abby Drohne
Calvin Scherer
Paul Pritchard
ivana_ray_singh
Kwakksen
Uboa
migrainaut
caroline mckenzie
CedCedCed
Dafydd Griffiths
orobourical
//RRRhund\
oliparcol
Evan Burgess
keef_p
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Digital Album
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You own this
1. |
Rattles
03:53
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2. |
Charge
04:15
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3. |
Sweat Pearls
04:33
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4. |
XLR
04:57
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5. |
Tuck It, Tape It
04:48
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6. |
Black Stain
05:23
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7. |
Marbles
07:10
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about
Rarely does a debut release come with such a powerful impact as this, the self titled recording by AJA.
Maximal in approach, AJA deploys rhythmic noise, bomb heavy drum machine, convolving vocal utterance and a dedicated hell-scape of field recordings, abrupt sound design and blistering drone. These recordings feel expelled rather than composed, a lashing of energy captured. The unhinged nature of her recorded work is complimented in what are soon becoming legendary live performances wherein the AJA experience is fully realised.
As a collaborator with designer LU LA LOOP, AJA’s sounds have bruised the runway of Berlin Alternative Fashion Week. Her work within the LGBTQ community running workshops in sound art and as an advocate of promoting and increasing the presence of women in electronic music, has seen her work carry throughout Europe and more recently to Brazil. It is in within the context of transgressive art, sexual identity/ politic and grass roots teaching that AJA’s work is elevated into a neo-punk.
The self-titled Opal Tapes release opens with the swaggering, drunken lurch of “Rattles”. Claustrophobically building toward release but never achieving, AJA’s voice dominates the track in an almost wordless epiphany which is re-digested by digital bacterium. “Charge” resonates in golden tone as pylon-heavy drones fry away above, the beat, still present; remains leaden, dragging it’s weight forward. “Sweat Pearls” is arrhythmic and paranoid, stuttering kick patterns charge out draped in psychotic wailing. The A side closes out with “XLR”, a mixed resolution of glorious sound design, crunching and clunking like ancient calculators while AJA’s voice soars above.
“Tuck It, Tape It” offers minute respite before the immense energy of the B side begins it’s mission to excoriate. Breathlessly oscillating between high speed industrial ache and rubbered up cleaving, the track pushes toward palpitating levels of intensity. “Black Stain” gutturally digests to follow up, textured vocals push rich drones along while grim MS-20 sits low and stern rumbling the track forward. High energy reigns back in for closer “Marbles”. A seven minute flex over a delicate ambient backdrop which climbs up and over into a full on trance denial.
AJA is cementing her place at the front of confrontational, psycho-visceral, truly new music. Opal Tapes are enormously proud to work with her on this full debut release. Her previous work can be heard on Perc’s album “Bitter Music” (track title “Spit”) and on the recent Opal Tapes compilation “The Harvest Of A Quiet Eye”.
Maximal in approach, AJA deploys rhythmic noise, bomb heavy drum machine, convolving vocal utterance and a dedicated hell-scape of field recordings, abrupt sound design and blistering drone. These recordings feel expelled rather than composed, a lashing of energy captured. The unhinged nature of her recorded work is complimented in what are soon becoming legendary live performances wherein the AJA experience is fully realised.
As a collaborator with designer LU LA LOOP, AJA’s sounds have bruised the runway of Berlin Alternative Fashion Week. Her work within the LGBTQ community running workshops in sound art and as an advocate of promoting and increasing the presence of women in electronic music, has seen her work carry throughout Europe and more recently to Brazil. It is in within the context of transgressive art, sexual identity/ politic and grass roots teaching that AJA’s work is elevated into a neo-punk.
The self-titled Opal Tapes release opens with the swaggering, drunken lurch of “Rattles”. Claustrophobically building toward release but never achieving, AJA’s voice dominates the track in an almost wordless epiphany which is re-digested by digital bacterium. “Charge” resonates in golden tone as pylon-heavy drones fry away above, the beat, still present; remains leaden, dragging it’s weight forward. “Sweat Pearls” is arrhythmic and paranoid, stuttering kick patterns charge out draped in psychotic wailing. The A side closes out with “XLR”, a mixed resolution of glorious sound design, crunching and clunking like ancient calculators while AJA’s voice soars above.
“Tuck It, Tape It” offers minute respite before the immense energy of the B side begins it’s mission to excoriate. Breathlessly oscillating between high speed industrial ache and rubbered up cleaving, the track pushes toward palpitating levels of intensity. “Black Stain” gutturally digests to follow up, textured vocals push rich drones along while grim MS-20 sits low and stern rumbling the track forward. High energy reigns back in for closer “Marbles”. A seven minute flex over a delicate ambient backdrop which climbs up and over into a full on trance denial.
AJA is cementing her place at the front of confrontational, psycho-visceral, truly new music. Opal Tapes are enormously proud to work with her on this full debut release. Her previous work can be heard on Perc’s album “Bitter Music” (track title “Spit”) and on the recent Opal Tapes compilation “The Harvest Of A Quiet Eye”.
credits
released May 2, 2018
Written & Recorded by Aja Ireland
Mixed & Mastered by Andrew Course
Artwork by Aja Ireland
Costume by LU LA LOOP
Photography by Laura Kate Bemrose
Written & Recorded by Aja Ireland
Mixed & Mastered by Andrew Course
Artwork by Aja Ireland
Costume by LU LA LOOP
Photography by Laura Kate Bemrose
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