All Lanes Of Lilac Evening, by Siavash Amini & Saåad

All Lanes Of Lilac Evening

by Siavash Amini & Saåad

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vroenis I have Siavash Amini's discography - there are few artists I'm able to listen to at all times. It's natural to cycle thru art dependent on mood, however as mentioned elsewhere, some works are enduring and Siavash's works are definitely included. This collaboration with Saåad is amazing and a welcome addition.

wc_helmets Seamless collection of drones and synths that play around each other. Not without it's dreadful moments, but this work seems to celebrate a beauty in simple things and sounds. Lovely work. Favorite track: Time Is A Child Playing In The Sand.

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1.	How Far Can You Go When You Close Your Eyes 01:57	buy track
2.	A Vision Without Contours 04:13	buy track
3.	Dragging The Harrow 06:20	buy track
4.	Disruptive Emptiness 05:32	buy track
5.	Calm In Resignation 05:17	buy track
6.	Time Is A Child Playing In The Sand 07:28	buy track
7.	Ever-Newer Waters Flow On Those Who Step Into The Same Rivers 04:14	buy track

about

Radiant drone works from Siavash Amini (Room 40, Flaming Pines, Umor Rex) and Saåad (HITD, In Paradisium) combining for the first time together in this lambent collection of field recordings, strings, guitar and synthesiser.

Amini's presence is perhaps best felt in the soaring, widescreen orchestration where the real and unreal is embdedded together with no seam to recognize. Saåad proffer oblique chiming notes and guitar so smeared across the horizon it's impossible not to see the curve. Together the two styles cement gracefully in calm union. 'Dragging the Harrow' pulses a Messiaenic organ line into a blossoming filter revealing increasingly plasticine detail while choristic blooms and groaning room smother. 'Calm In Resignation' is bio-spheric in detail, a globe of moving specks and hovering colour, delaying and decaying away into the void. Closer 'Ever-Newer Waters Flow...' elegantly places narrow widths of effected guitar into the spaces around the minor-slosh of a beach front / laundry room, drained of any other detail other than the presence of water.

Expectantly melancholic and obliviously gorgeous.

credits

released January 31, 2020

Music by Siavash Amini & Romain Barbot

Recorded between Autumn 2018 & Summer 2019 in Toulouse, France & Teheran, Iran.

Mastered by Bishop.

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