Candy
by Lacrima
burningpyre94
Gary Gordon
Joe Parkes
Cremaster Jedi
Daniel Gregory
Jeramboquai
Cody Ariel Shaffer
Attilio Novellino
Eirdlyarm
Bak Scullcrasher
Markus Izzo
〠
Benny Starcat 69
ch
Sean Thomas
F̷a̷i̷t̷h̷f̷u̷l̷
Falachi
nuriaa.666
howhard72
dick
goodsunset
Iguanapaws
Dawid Scumwalski
Arlo Brooks
Roman Bernhard Eppstein
Hugo Hasselhoff
philipbogan
fridgetrax
Spencer Vik
Alan Mann
keitarotamu
Sid Viscose
negative.feedback.soup
xdws1984x
Kdclarkie
ea
brb>voicecoil
economy of language
imuzz
Peter Kulawec
accoo
buriedinslaganddebris
merzbungle
Matthew Braughton
karlconraddsilva
ngard1035
mwlactor
dtg1259
hugh gallagher
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Compact Disc (CD) + Digital AlbumPro-printed bronze base CD presented inside super jewel case with full colour printed obi-strip.
Limited edition of 50.
Includes unlimited streaming of Candy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysedition of 50Purchasable with gift card£8 GBP or more
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Digital Album
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1. |
Stomach Division
04:14
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2. |
Excavant
05:36
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3. |
Dripping
13:28
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4. |
Eat At Joe's
03:45
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5. |
Welcome Home Candy
06:12
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about
Worshipping at the temple of Kazumoto Endo, T.E.F. Skin Crime and Romance. Lacrima is a new project from Opal bossman Stephen Bishop wherein he returns to his formative roots within noise music.
Produced using tabletop electronics, field recordings and a LOT of shortwave radio recordings. 'Candy' is the second offering from Lacrima following 2019's 'Romance' (soon to be reissued on Opal). This time collage like cut-up noise and destructivist recordings form the basis of an excoriating listen. Opener 'Stomach Division' pummels from the opening gate, super speed cut up harsh noise ricocheting through digital delay mirror mazes. 'Excavant' is metal sheet industrialism reaching a horrifying crescendo of body-melting density and gibbering shortwave insanity. 'Dripping' watches a building demolish itself forever and over, simultaneously rebuilding sheet after sheet in acid burned bone smashes.
A motif of abdominal body horror perpetuates the release, with the physical frame being digested and effluxed, shaken apart by actual movement and chemical loosening. 'Eat At Joe's' pays homage to a certain someone without whom nothing would really be happening. Mid-fi clattering electro-acoustics bombard shoulder to shoulder with piezo-crackle and hum. 'Welcome Home Candy' concludes with a cyclical loop to the beginning. Viscious cut ups assail and escort your madness forth.
Whilst harsh indeed this is sculptural noise music designed and recorded for full effect on the gut and it's precious flora.
Produced using tabletop electronics, field recordings and a LOT of shortwave radio recordings. 'Candy' is the second offering from Lacrima following 2019's 'Romance' (soon to be reissued on Opal). This time collage like cut-up noise and destructivist recordings form the basis of an excoriating listen. Opener 'Stomach Division' pummels from the opening gate, super speed cut up harsh noise ricocheting through digital delay mirror mazes. 'Excavant' is metal sheet industrialism reaching a horrifying crescendo of body-melting density and gibbering shortwave insanity. 'Dripping' watches a building demolish itself forever and over, simultaneously rebuilding sheet after sheet in acid burned bone smashes.
A motif of abdominal body horror perpetuates the release, with the physical frame being digested and effluxed, shaken apart by actual movement and chemical loosening. 'Eat At Joe's' pays homage to a certain someone without whom nothing would really be happening. Mid-fi clattering electro-acoustics bombard shoulder to shoulder with piezo-crackle and hum. 'Welcome Home Candy' concludes with a cyclical loop to the beginning. Viscious cut ups assail and escort your madness forth.
Whilst harsh indeed this is sculptural noise music designed and recorded for full effect on the gut and it's precious flora.
credits
released March 6, 2020
OPAL174
OPAL174
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