MOSCELS
by Sote
Death Itself
Death Itself
No words can describe the immense sense of loss and dread 'Z' conjures from the depths of the listener's imagination. Incredible stuff ✨
Favorite track: MOSCELS Z.
Eric Mattson
duncan speakman
DJ Tinus
lossisforever
ovenlovesyou
Hei Zhi Masha
marmo
Simon Harper
wdmr
Monroe
Martin Gruenanger
Michał Wieczorek
papposilene
0rg
Kushima K-Cock
ռօʍօռɛʏռօɦօռɛʏ
Torus Sound
d_olex
renatacarlos7
Cremaster Jedi
John Jolley
andrekm80
Seth Scott
Yuki
thadisradical
oakvertebrae
Corey Lyons
ubyk
BAG
Thordur Arnarson
StrssyPerson
ivopetrov
lunchmeat
DGDGDGDGDG
palewintrydusk
sdps3
Sean Thomas
Chris Richford
seele
James Wvr
philipbogan
DAVE HANDS
Nathan Simmons
Joshua Ward
fiodorovitch
deadshotkeen
Richard Jones
jon_leidecker
Rob Spampinato
Jamie Lawson
Adam Denton
Paul Razey
Cenk Ergün
Cameron Paleologopoulos
Scott Carver
Jeramboquai
FEF
❦
Sam Vardy
center9
-
Record/Vinyl + Digital AlbumIncludes unlimited streaming of MOSCELS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysedition of 100Purchasable with gift card
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Record/Vinyl + Digital AlbumVinyl ships approx August 25th. Image is a mock up.
Includes unlimited streaming of MOSCELS via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysedition of 50Purchasable with gift card£14 GBP or more
You own this
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1. |
MOSCELS X
06:44
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2. |
MOSCELS Y
05:58
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3. |
MOSCELS Q
05:45
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4. |
MOSCELS O
04:38
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5. |
MOSCELS Z
11:00
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about
What were the skies like when you were young?
These days, asking that question likely conjures disappointment in its answer. Dreams of possibility hardened by certainty. Hopes and prayers jet-cooled to brittle acquiescence. A lingering feeling that this is not what we asked for, not what we worked towards.
Promises of the future replaced by sins of the father.
It is in this particular light that the latest work, "Moscels," by Iranian artist and musician Ata Ebtekar, also known as Sote, arrives on Opal Tapes, British label for the sonically curious and aurally disaffected. Contrary to potential expectation, it features no rhythmic exhortations, no colloidal outbursts, and no acoustic instrumentation of any kind. Synthesized entirely from physical models and oscillators, whose union gives the record its name, "Moscels" is a haunting, beautiful, and auspicious listen.
None of Ebtekar's work comes necessarily easy to the listener, but "Moscels" is suffused with a sense of wonder almost childlike in quality, and so it beckons kindly. In a certain sense, electronic music is a kind of magic, isn't it? And this is the sound of a magician at work. Dive into the sound of an otherworld, so close yet so far, where dreaming is less sweet than being, and where all that is possible remains still at hand.
- Chris Zaldua
These days, asking that question likely conjures disappointment in its answer. Dreams of possibility hardened by certainty. Hopes and prayers jet-cooled to brittle acquiescence. A lingering feeling that this is not what we asked for, not what we worked towards.
Promises of the future replaced by sins of the father.
It is in this particular light that the latest work, "Moscels," by Iranian artist and musician Ata Ebtekar, also known as Sote, arrives on Opal Tapes, British label for the sonically curious and aurally disaffected. Contrary to potential expectation, it features no rhythmic exhortations, no colloidal outbursts, and no acoustic instrumentation of any kind. Synthesized entirely from physical models and oscillators, whose union gives the record its name, "Moscels" is a haunting, beautiful, and auspicious listen.
None of Ebtekar's work comes necessarily easy to the listener, but "Moscels" is suffused with a sense of wonder almost childlike in quality, and so it beckons kindly. In a certain sense, electronic music is a kind of magic, isn't it? And this is the sound of a magician at work. Dive into the sound of an otherworld, so close yet so far, where dreaming is less sweet than being, and where all that is possible remains still at hand.
- Chris Zaldua
credits
released May 15, 2020
MUSIC: ATA 'SOTE' EBTEKAR
MASTERING: BISHOP
ARTWORK: BORIS VITAZEK
OPAL179
MUSIC: ATA 'SOTE' EBTEKAR
MASTERING: BISHOP
ARTWORK: BORIS VITAZEK
OPAL179
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